---
title: 24 Creating a Rhythmic Dialogue%3A Improvising with Group I & Group II Rhythms
description: 
published: true
date: 2026-04-28T08:02:00.567Z
tags: Blues
editor: markdown
dateCreated: 2026-04-28T08:02:00.567Z
---

<div style="width: 100%; max-width: 1400px; margin: 0;">
<div style="position: relative; width: 100%; padding-bottom: 56.25%; height: 0; overflow: hidden;">
<iframe src="https://video.terbits.xyz/player.html?src=videos/Bluesrooms/Musicality/Rhythm-Toolkit/24_Creating%20a%20Rhythmic%20Dialogue%253A%20Improvising%20with%20Group%20I%20%26%20Group%20II%20Rhythms.mp4" style="position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: 0;" allowfullscreen allow="autoplay; fullscreen"></iframe>
</div>
</div>

## FOCUS 
- This lesson teaches how to mix Group I and Group II rhythms in dance improvisation, focusing on maintaining communication and axis awareness between partners.
## TIP & TRICKS:
- In closed position, avoid improvising with different rhythm groupings to keep the frame and energy aligned.
- In open rhythm, you can break rules by shifting your axis differently from your partner, as long as both are aware.
- As a follower, focus on the body's momentum and energy from the leader, not just footwork, to stay in sync.
- When improvising, keep arms relaxed and maintain a clear weight shift so your partner can feel your movements.
- If you get out of sync, use it as an opportunity to create something new or fix it by realigning axes.
- Practice with a song to see how rhythms work together or apart, and experiment to find what feels good.

##REMEMBER
- Mixing rhythms changes the axis and communication between dancers, requiring awareness of each other's positions.
- Improvisation should be playful and clear, allowing partners to feel differences through body communication.
- Leaders should lead based on body movement and momentum, not specific steps, to guide followers effectively.
- You cannot control everything in improvisation, but maintaining relaxed arms and consistent speed helps the relationship.
- Use out-of-sync moments as creative opportunities or to realign, rather than seeing them as mistakes.
- Experiment with different rhythm combinations to develop your own rhythmic dialogue in dance.
